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Claes Oldenburg has become one of America's most influential artists. His subject-matter is the everyday object - food, clothing and mechanical devices - which he reincarnates in provocative sculpture, drawings and performances. This comprehensive volume, published to accompany a retrospective exhibition of his works organized jointly by the National Gallery of Art, Washington, and the Guggenheim Museum, New York, spans Oldenburg's entire career, from his earliest work devoted to the street life of New York, to "The Store", an array of painted, plaster sculptures of food and clothing, and to his soft sculptures, drawings for fanciful monuments, and large-scale public projects made with Coosje van Bruggen. This book was produced with the assistance of Oldenburg, and contains a selection of his own writings, as well as many previously-unpublished photographs.

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Not only has Oldenburg upset conventional expectations (including those of “advanced” taste) about the way objects and the environment are to be treated in a work of art, but he effectively alters the tone in which the artist speaks to the public. He plays the clown. At the Museum of Modern Art’s large retrospective exhibition of Oldenburg’s work this fall, the faces in the crowds of spectators were happy faces—smiling, relaxed, often actually laughing. At the very altar of high artistic seriousness, Oldenburg invited the crowd to abandon its pieties and have a good time, and the crowd responded with enthusiasm.

This catalogue of the exhibition curated by Germano Celant in the Correr Museum of Venice investigates a specific aspect of the work of Claes Oldenburg, a major figure of contemporary American art: that of his creations relating to architecture, documenting the large scale projects executed by the artist between 1969 right up to 1999. Here is an opportunity to discover and appreciate the monumental constructions the artist executed all over the world, from Chicago and Philadelphia, Paris and Dusseldorf, Frankfurt to Weil am Rhein, including the latest, original project the artist intends to execute with Coosje van Bruggen for Venice, a lion's tail that, issuing from the Napolconic Wing, will partially take over the space in front of San Marco. The book, aside from the exhibited works, features the forty-eight projects executed on every continent, an offers valuable scientific knowledge of workings of the great American artist, and reflects on the controversial issue of art in public spaces, and the essential collaboration between the artist and the public.

Claes Oldenburg (b. 1929) first made his mark on the New York art scene in the early 1960s, and from that time he has been widely regarded as one of America's most influential and appealing artists. His subject matter is the everyday object - food, clothing, mechanical devices, and the like - which he reincarnates into witty and provocative sculptures ranging in scale from the intimate to the expansive.This volume, published to accompany a major retrospective organized by the National Gallery of Art, Washington, D.C., and the Solomon R. Guggenheim Museum, is the most comprehensive to date on Oldenburg and his multifaceted art. Interweaving photographs of installations and Happenings, texts, and new reproductions of the sculptures and drawings, this lavishly produced book traces Oldenburg's entire career. Among the subjects presented are The Street, his early exhibition devoted to the street life of New York City; The Store, his infamous array of painted plaster sculptures of food and clothing, which he sold in a Manhattan storefront; the celebrated soft sculptures; his drawings for fanciful monuments; and the large-scale public projects made in collaboration with Coosje van Bruggen.

Claes Oldenburg (b. 1929) first made his mark on the New York art scene in the early 1960s, and from that time he has been widely regarded as one of America's most influential and appealing artists. His subject matter is the everyday object - food, clothing, mechanical devices, and the like - which he reincarnates into witty and provocative sculptures ranging in scale from the intimate to the expansive.This volume, published to accompany a major retrospective organized by the National Gallery of Art, Washington, D.C., and the Solomon R. Guggenheim Museum, is the most comprehensive to date on Oldenburg and his multifaceted art. Interweaving photographs of installations and Happenings, texts, and new reproductions of the sculptures and drawings, this lavishly produced book traces Oldenburg's entire career. Among the subjects presented are The Street, his early exhibition devoted to the street life of New York City; The Store, his infamous array of painted plaster sculptures of food and clothing, which he sold in a Manhattan storefront; the celebrated soft sculptures; his drawings for fanciful monuments; and the large-scale public projects made in collaboration with Coosje van Bruggen.

A Chronicle by Coosje van Bruggen and Claes Oldenburg, based on notes, statements, contracts, correspondence, and other documents related to the works. Includes Batcolumn (Chicago), Pool Balls, (Munster), Flashlight (Las Vegas), Giant Switches (NYC), and more. Monuments by R.H. Fuchs. 100p.

Best known for recasting familiar objects in unfamiliar textures, media, and dimensions, Claes Oldenburg has long challenged his audience to rethink the everyday with works such as French Fries and Ketchup (1963) and Soft Toilet (1966). Oldenburg's masterful drawings reveal another facet of this pioneering artist, inviting viewers to enter his "fantasy' as they explore Oldenburg's relationship with the medium, from sensitive early explorations to veteran campaigns as a refined and accomplished draftsman.Drawing is crucial to Oldenburg's art: drawings note the beginning of an idea; they develop the thought; they give birth to his sculptures. The medium offers a flexibility particularly suited to the artist's extraordinary visions, enhancing the effectiveness of his manipulations of scale and perspective in sculpture. Pieces such as Proposed Colossal Monument for Central Park North, N.Y.C.- Teddy Bear (1965); Various Positions of a Giant Lipstick to Replace the Fountain of Eros, Piccadilly Circus, London (1966); Proposal for a Cathedral in the Form of a Colossal Faucet, Lake Union, Seattle (1972); and Blueberry Pie a la Mode, Sliding down a Hill (1996) usher viewers into a chimerical world of the mundane made significant.

, 524 pages, with colour illustrations throughout, English text

Much of the seminal 1960s sculpture documented in this catalogue is from Claes Oldenburg's personal collection and had never been shown until it was gathered on the occasion of the artist's first major historical New York exhibition since his Guggenheim retrospective of 1995. Included are a large selection of objects from The Store; early soft sculptures from The Home; and works related to the Airflow project. Scholars and new initiates alike will enjoy Oldenburg's earliest riffs on street life (yard-long gym shoes), household objects (plump fabric light switches and toilets) and automobile culture, explored and transformed through innovative manipulations of scale and material into mysterious, formally inventive works that address human experience in modern life. An insightful essay by Julia E. Robinson points to relationships with the work of Daumier, Dubuffet and Manet.

, 524 pages, with colour illustrations throughout, English text

This catalogue of the exhibition curated by Germano Celant in the Correr Museum of Venice investigates a specific aspect of the work of Claes Oldenburg, a major figure of contemporary American art: that of his creations relating to architecture, documenting the large scale projects executed by the artist between 1969 right up to 1999. Here is an opportunity to discover and appreciate the monumental constructions the artist executed all over the world, from Chicago and Philadelphia, Paris and Dusseldorf, Frankfurt to Weil am Rhein, including the latest, original project the artist intends to execute with Coosje van Bruggen for Venice, a lion's tail that, issuing from the Napolconic Wing, will partially take over the space in front of San Marco. The book, aside from the exhibited works, features the forty-eight projects executed on every continent, an offers valuable scientific knowledge of workings of the great American artist, and reflects on the controversial issue of art in public spaces, and the essential collaboration between the artist and the public.

Claes Oldenburg has become one of America's most influential artists. His subject-matter is the everyday object - food, clothing and mechanical devices - which he reincarnates in provocative sculpture, drawings and performances. This comprehensive volume, published to accompany a retrospective exhibition of his works organized jointly by the National Gallery of Art, Washington, and the Guggenheim Museum, New York, spans Oldenburg's entire career, from his earliest work devoted to the street life of New York, to "The Store", an array of painted, plaster sculptures of food and clothing, and to his soft sculptures, drawings for fanciful monuments, and large-scale public projects made with Coosje van Bruggen. This book was produced with the assistance of Oldenburg, and contains a selection of his own writings, as well as many previously-unpublished photographs.

Claes Oldenburg and Coosje van Bruggen have been working in partnership since 1976. Together they have executed over 40 large-scale, site-specific projects that establish direct contact with a wide audience into various urban settings in Europe, Asia, and the United States. Their collaboration has extended to smaller-scale park and garden sculptures as well as to indoor installations. Published in association with the Castello di Rivoli, this major retrospective catalog focuses on the close relationship between the concepts of sculpture and architecture in the work of the artists and is the first to trace the development of their artistic itinerary from the mid-1980s up to the present. Lavishly illustrated the catalog features the works in chronological order, elucidated by text introducing each of the body of works. In the section devoted to large-scale projects, 22 works are examined and illustrated with drawings, models, and photographs. This long-awaited monograph includes an interview with the artists, an anthology of texts, a bio-bibliography, and two never-before-seen works: Popagesy, produced especially for the exhibition, and Three Way Plug, which addresses the artists' own history.

Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 2.71